Showing posts with label discharge ink. Show all posts
Posted by Mary Yaeger - August 22, 2017



KINGS MOUNTAIN N.C.— Back by popular demand, Texsource Screen Printing Supply is offering an Introduction to Water-Based and Discharge Printing class featuring Matsui Ink on Dec. 1. 

The class will cover key topics on all things water-based for an in-depth and hands-on experience led by Matsui.
A free lunch will be provided onsite for all participants courtesy of Texsource. The class runs from 9 a.m.–4 p.m at the company's North Carolina location, 714 Cleveland Ave., Kings Mountain, NC 28086.
The class costs $29.95 and will cover all of the following:


Posted by Mary Yaeger - 8/21/2017




Matsui International Company, Inc., a leading manufacturer of water based inks, announces a distribution partnership with Texsource Screen Printing Supply.

Matsui offers a comprehensive product line which includes water based pigments, bases, additives, and special effect products for a broad range of applications, including: textile, wallpaper, transfer, and specialty services. From exclusive products to a wide variety of industry standards, every product is manufactured with the finest quality and highest standard in reliability.

The Matsui mixing system allows printers to easily create their own custom colors. Combined with a variety of additives for effect and specialty printing, Matsui hopes to open new doors for print shops of all production levels.

There has been a significant growth in the demand for water based screen printing due to the inks’ vibrant colors, natural hand-feel and decreased environmental impact. For Texsource, this partnership means being the first fully stocked east coast location for Matsui Inks.

To kick off the partnership, Texsource held a water-based and discharge screen printing class that Matsui representatives, Jesse Martinez and Enrique Castillo, introduced attendees to the products and techniques unique to the process. With such a great interest and astounding attendance for the first class, Texsource will hold the class again December 1st. There are plans to continue offering the class on a yearly basis to give customers the training they need to be successful in the industry.

Matsui and Texsource Screen Printing Supply are dedicated to ensuring customers are comfortable with the products they are purchasing. Texsource sales staff is to receive on-going training regarding Matsui products to ensure the most accurate information is shared.

Posted by Mary Yaeger - 8/15/2017



There are two main types of ink that get used for textile printing – plastisol and water based. While plastisol is more widely known and used, the desire for a more eco-friendly shop has brought water based screen printing into the spotlight. What you will find is that both types of inks have their incredible advantages, but they also have a few drawbacks.

To get started, let’s discuss mesh. The mesh count you use is one of the most important factors to consider when printing (no matter what method you choose to print). Here is a short outline of the different mesh recommendations for inks:
  • 24-40 mesh for Glitter inks
  •  60-80 mesh for Shimmers and thick white underbases
  •  86-110 mesh for Metallics
  • 110 mesh most popular for light colors such as white ink
  • 160 mesh most popular for black ink. It holds more detail than 110, but less ink will pass through the screen.
  •  200-230 mesh holds high detail though the ink may need to be reduced. This mesh is great for water based inks.
  • 230-305 mesh is mostly used for super fine detail half tones and CMYK process prints. This mesh is also great for water based inks.


Plastisol Ink




Plastisol is the most popular ink in the industry. It is easy to use and promoted as “user friendly”. Plastisol is not water soluble so you don’t have to worry about it drying in the screen. These inks are generally used right out of the container. No mixing needed. Plastisol is perfect for getting the opaque look on dark garments. It is formulated for printing on light and dark garments. Since plastisol does not dry in the screen, there is no worry about ruining a screen or wasting product. Plastisol does not “dry” when exposed to air. Plastisol has to be cured between 280-350F. The greatest advantage of this is being able to reuse the ink for multiple jobs. As long as the ink has not been contaminated by dirt, lint or other ink, the plastisol can be scooped off of the screen and placed back in its container.

Likewise, if you leave the ink container open for several days, the ink will be ready to use when you come back. You can also leave the ink in a screen for several days without worry of clogging or ruining the stencil. Plastisol also has the capability of wet-on-wet printing which means increased production times – saving your shop time and money.

It is generally recommended that you store plastisol at room temperature. This means keeping your shop temperature controlled. If the ink gets too hot (above 90F) there is a possibility it could start the curing process in its container. A big disadvantage of printing with plastisol is that has tends to have a greater hand-feel. This is a disadvantage because most t-shirt enthusiasts desire a vintage look and soft hand-feel to their shirts. Another thing to note about plastisol is that it should not be ironed. The iron could “re-melt” the plastisol and smear ink on your garment.

If you would like to dispose of any contaminated ink be aware that uncured plastisol is considered a hazardous waste and should be disposed of according to your community guidelines. When plastisol is cured, it is not considered a hazardous waste, but make sure you still properly dispose of it.

Water Based Ink



What plastisol can’t achieve is where water based ink steps in to play. Water based inks are great for achieving that vintage soft hand-feel that is desired by most. Water based inks soak into the fabric instead of standing on top. Water based inks are promoted as more “eco-friendly”, but it is important to keep in mind where you are getting this information from. Just because it is labeled as eco-friendly, does not mean that it isn’t free of “co-solvents” that could be petroleum based. The reason these co-solvents are used varies, but one of the reasons is meant to reduce the time and heat necessary to cure the ink on the fabric.

While water based gives most people the look and feel they want in their prints, there are a few factors that deter people from even trying it in the first place. Unlike plastisol which is ready to use right out of the container, water based ink requires a little bit of mixing math. Water based inks start out as two separate products – pigment and base. You have to add the right amount of pigment to the right amount of base to get the desired color. There are also several additives that you must consider for each type of print.

With a name like water based it is easy to assume that curing would be a simple process because in reality all you are doing is evaporating the water to cure. At a craft level, this might not be too bad. Water based inks can air dry, but not in enough time for high production jobs. For shops that are printing at an intermediate to high production level, the dryers that are required for water based inks are typically larger than the dryers used for plastisol. To help the ink cure faster, you can add what is called a “catalyst” to the ink. The catalyst allows for a fast dry time and ensures an even dry over the entire printed area. The disadvantage to using a catalyst is that it greatly reduces the life span of the ink. When you add a catalyst to water based ink the shelf life is limited to 4-12 hours.


Water based ink tends to dry in the screens if not tended to constantly. For this reason, it is important to keep a spray bottle full of water nearby to keep the ink wet. If the ink dries in the screen it will clog the mesh and ruin the screen. It is also important to consider the type of emulsion you are using. Water resistant emulsion is a MUST! Water based inks will melt or eat through any other type of emulsion. This will end up destroying your stencil and setting your print job back.
Posted by Mary Yaeger
Also seen on Printwear




The feel of a plastisol print is called the “hand”. It is controlled by the type of ink and how thick an ink layer is. To achieve soft-hand prints you have to start with a soft-hand base. To achieve an extra soft-hand print on white garments – use a 230 or higher mesh count screen. Soft-hand printing can easily be achieved with soft base additives and water based inks. Distressed and vintage prints are in high demand which call for a natural feeling and more authentic touch. There are a couple of ways to achieve soft hand – water based and discharge printing.

    Water based inks
Just as the name suggests this type of ink creates a soft feel because its make up is not plastic. This type of ink tends to dry in areas if not watched carefully. You might lose some detail or fine halftone. The curing time of water based ink is slower. This ink is more transparent than plastisol and does not appear well on dark garments. Typically this wouldn’t be an issue. You can slap an under base on your garment and continue printing. Unfortunately, water based doesn’t print well on under bases. If you are going to use water based inks, it is better to print on white and light garments.


Discharge Inks
Discharge inks are your solution to printing soft hand on dark garments. It is considerably softer than printing with plastisol but it does require an under base. Discharge ink uses an “activator” that bleaches the dye out of the shirt and deposits the ink pigment in its place.  Discharge is technically still a water based ink. So you will want to avoid designs with heavy detail and fine halftones. Printing on “rich colors” such as red, purple and royal blues tend to discharge unpredictably. The inks are often contaminated by the dye in the shirt so your print could end up an off color. 
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