Showing posts with label mesh count. Show all posts
Posted by Mary Yaeger - 8/15/2017



There are two main types of ink that get used for textile printing – plastisol and water based. While plastisol is more widely known and used, the desire for a more eco-friendly shop has brought water based screen printing into the spotlight. What you will find is that both types of inks have their incredible advantages, but they also have a few drawbacks.

To get started, let’s discuss mesh. The mesh count you use is one of the most important factors to consider when printing (no matter what method you choose to print). Here is a short outline of the different mesh recommendations for inks:
  • 24-40 mesh for Glitter inks
  •  60-80 mesh for Shimmers and thick white underbases
  •  86-110 mesh for Metallics
  • 110 mesh most popular for light colors such as white ink
  • 160 mesh most popular for black ink. It holds more detail than 110, but less ink will pass through the screen.
  •  200-230 mesh holds high detail though the ink may need to be reduced. This mesh is great for water based inks.
  • 230-305 mesh is mostly used for super fine detail half tones and CMYK process prints. This mesh is also great for water based inks.


Plastisol Ink




Plastisol is the most popular ink in the industry. It is easy to use and promoted as “user friendly”. Plastisol is not water soluble so you don’t have to worry about it drying in the screen. These inks are generally used right out of the container. No mixing needed. Plastisol is perfect for getting the opaque look on dark garments. It is formulated for printing on light and dark garments. Since plastisol does not dry in the screen, there is no worry about ruining a screen or wasting product. Plastisol does not “dry” when exposed to air. Plastisol has to be cured between 280-350F. The greatest advantage of this is being able to reuse the ink for multiple jobs. As long as the ink has not been contaminated by dirt, lint or other ink, the plastisol can be scooped off of the screen and placed back in its container.

Likewise, if you leave the ink container open for several days, the ink will be ready to use when you come back. You can also leave the ink in a screen for several days without worry of clogging or ruining the stencil. Plastisol also has the capability of wet-on-wet printing which means increased production times – saving your shop time and money.

It is generally recommended that you store plastisol at room temperature. This means keeping your shop temperature controlled. If the ink gets too hot (above 90F) there is a possibility it could start the curing process in its container. A big disadvantage of printing with plastisol is that has tends to have a greater hand-feel. This is a disadvantage because most t-shirt enthusiasts desire a vintage look and soft hand-feel to their shirts. Another thing to note about plastisol is that it should not be ironed. The iron could “re-melt” the plastisol and smear ink on your garment.

If you would like to dispose of any contaminated ink be aware that uncured plastisol is considered a hazardous waste and should be disposed of according to your community guidelines. When plastisol is cured, it is not considered a hazardous waste, but make sure you still properly dispose of it.

Water Based Ink



What plastisol can’t achieve is where water based ink steps in to play. Water based inks are great for achieving that vintage soft hand-feel that is desired by most. Water based inks soak into the fabric instead of standing on top. Water based inks are promoted as more “eco-friendly”, but it is important to keep in mind where you are getting this information from. Just because it is labeled as eco-friendly, does not mean that it isn’t free of “co-solvents” that could be petroleum based. The reason these co-solvents are used varies, but one of the reasons is meant to reduce the time and heat necessary to cure the ink on the fabric.

While water based gives most people the look and feel they want in their prints, there are a few factors that deter people from even trying it in the first place. Unlike plastisol which is ready to use right out of the container, water based ink requires a little bit of mixing math. Water based inks start out as two separate products – pigment and base. You have to add the right amount of pigment to the right amount of base to get the desired color. There are also several additives that you must consider for each type of print.

With a name like water based it is easy to assume that curing would be a simple process because in reality all you are doing is evaporating the water to cure. At a craft level, this might not be too bad. Water based inks can air dry, but not in enough time for high production jobs. For shops that are printing at an intermediate to high production level, the dryers that are required for water based inks are typically larger than the dryers used for plastisol. To help the ink cure faster, you can add what is called a “catalyst” to the ink. The catalyst allows for a fast dry time and ensures an even dry over the entire printed area. The disadvantage to using a catalyst is that it greatly reduces the life span of the ink. When you add a catalyst to water based ink the shelf life is limited to 4-12 hours.


Water based ink tends to dry in the screens if not tended to constantly. For this reason, it is important to keep a spray bottle full of water nearby to keep the ink wet. If the ink dries in the screen it will clog the mesh and ruin the screen. It is also important to consider the type of emulsion you are using. Water resistant emulsion is a MUST! Water based inks will melt or eat through any other type of emulsion. This will end up destroying your stencil and setting your print job back.
Posted by Mary Yaeger - 5/26/2017

Screen Printing History and How to Get Started

What in the world is screen printing? Simply, screen printing is the process of using a mesh-based stencil to apply ink onto a surface - shirts, posters, stickers, wood and a variety of other materials. The idea of screen printing arose from the concept of stenciling (and in truth that’s what screen printing is a form of). Screen printing can be traced back to the beginning of recorded history where methods can be found in China as early as 960 AD (during the Song Dynasty).

Screen printing originally started as just another art form. It wasn’t until during the 1960s that you can see screen printing being used for promotional items or propaganda. The 1960s was full of civil rights and social justice movements so there were plenty of opportunities to express yourself and your views. Sharing ideas that turn into movements requires people paying attention, and screen printing provided a method to create stunning graphics that caught viewer attentions.

It didn’t take long after screen printing being introduced to commercialism, before screen printing became a popular choice for artists - the most notable being Andy Warhol.



Today, we are seeing a revival in the screen printing industry as artists are creating new twists to the concept. There is also a call for the industry to become more environmentally friendly with their chemicals and inks. So if you are just starting out in the screen printing business there is a lot of room for creativity and growth and we are excited we get to share that with you!

While we could write a book on how to get started screen printing, we decided not to bore you with that much information in this blog post. Instead, we will discuss some tips and basics to get you started.

Step by Step




This is a general outline used by Texsource staff to explain the process to customers and in Texsource University Classes. If you want a more detailed look at the 16 steps and how to get started screen printing, join us for our Screen Printing 101 class in June!


  1. Get to know your client and what they are looking for in the design. Don’t forget to take down their contact information to keep in touch as well as their deposit. It’s important to take a deposit at the start of a project so you can order the materials needed for the print job.
  2. Place your material order.
  3. Create the artwork and layout for the job you are going to be printing. Some sample art programs you might use are CorelDraw or Adobe Software.
  4. Get the artwork approved by the client. This is a really important step! You may like what you have designed, but that does not necessarily mean that your design fits best with what the client is looking for. It is best practice to make sure that your client approves the artwork before moving forward.
  5. Complete your artwork separations and outputs. It is helpful, and creates a clean print, when your printed artwork is very opaque.
  6. Before you print, be sure to degrease and prep the screen that you will be using.
  7. Coat the screens and let it dry.
  8. Expose the coated screens. To help prevent pin-holes in your print, keep your exposure unit glass clean!
  9. Rinse out the image and set the screens out to dry. The trick to rinsing out the image is to wet the screens on both sides and allow the water to start to break down the unexposed emulsion.
  10. Tape and block out the screens.
  11. Set your screens and make sure that the artwork is lined up right. If you need additional help with alignment, use a t-square to create a good template to follow for your artwork.
  12. Print according to color sequence - light to dark! ALWAYS test before production.
  13. Inspect the garments to make sure there are not any unwanted spots. Don’t fear if you find some, there are products to help remove unwanted plastisol.
  14. When you are finished printing you can scoop the ink and put it back into the container for future usage.
  15. Now you are ready to reclaim your screen. You will start by removing the ink, then remove the emulsion, de-haze your screen, and finally degrease it. 
  16. Finally you have made it to step 16! This is where you get the products delivered to the client and receive your payment. Congratulations! 


Guide to the Right Mesh 

It is important that the mesh you select is right for the inks you will be using in your print. Mesh counts range from 40 to 305 and higher! We won’t discuss all of the mesh counts (you will get that in class), but here are a few of the most popular:

86 count mesh is used for printing a bold copy onto dark colored fabrics.
110 count mesh is considered the industry’s “do it all” mesh.
200 count mesh is used for printing onto light colored fabrics.
305 count mesh is used during four color process printing.

If you screen ever gets worn out or torn, Texsource can re-stretch your screens or we have products available for the DIY-er!

Mesh colors are another thing to consider. There is white mesh and gold (dyed) mesh. White mesh is used in lower mesh counts which are typically used for spot color work or large text. Gold mesh is used for counts higher than 200 resulting in a more defined edge and crisper print. The other thing that makes the two mesh colors different is the exposure time - the gold mesh will have a longer exposure time than a white mesh.


Other Things to Consider

Emulsions



There are 3 classifications of emulsions - Photopolymer, Dual Cure and Diazo. All of these can be used when printing with plastisol ink. Photopolymer emulsions are direct emulsions with ultra fast exposure times. Dual cure emulsion is resistant to both solvent and waterbased inks. Diazo is formulated to use with waterbased, solvent and plastisol inks which leads us into the next category - ink selection.


Inks







Ink selection is extremely important for your print job. Not all inks work on every material. Inks can also be particular about the mesh count. If the mesh count is too high or too low it could result in a poor print. I think that with as many colors of inks there are in the world there are just as many categories. That’s an exaggeration of course, but there are still quite a few you will encounter during your screen printing career. Some of the categories you will see are general purpose, low bleed, and super opaque. General purpose inks are generally used for for printing on 100% cotton. If you want to use a multi-purpose ink on another type of material, you will more than likely need to print an under lay.

Low bleed inks are best used for printing on 100% polyester materials or dye migrating garments like athletic apparel. Super opaque inks are high opacity inks designed for maximum coverage on dark colored garments.


After making a decision on those important factors the rest is up to you! Getting into the groove of printing, running your print shop, how you design the artwork - all of that is personal preference and that’s something we couldn’t give you a definitive guide on. The elements outlined in this post were to give you some basic knowledge and get you started. If you want any more details about the process, we highly recommend you attend our Screen Printing 101 class. The people who teach the class are highly knowledgeable, hands-on and excited about sharing this process with you.

Now, it’s time for you to get printing!
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