Showing posts with label screen reclaim. Show all posts
Posted by Mary Yaeger - 8/29/2017


In the video above, Texsource team member, Dwayne Collins, demonstrates how to expand your usage of the Texsource Chem 8100 Press Wash. Texsource Chem 8100 is a press wash designed for lightning fast screen reclaim. Not only can you clean up blocked image areas, Dwayne shows us how to clean up squeegees.

Squeegees, just like everything else in your shop, needs to be taken care of to ensure durability and a long squeegee life. You can always just wipe your squeegee off, but what about the hard to reach places? You know, those hard to reach nooks along the rubbers' edge. That's where Chem 8100 comes in handy. Spray it on and use your rag to wipe away the dissolved ink - even running your finger along the edges to make sure all the hard to get plastisol ink has been removed.

Another perk of the Chem 8100 is that it has no odor which makes working with it more pleasant than other washes. It also does not lock in photopolymer emulsions and films which allows for quick and easy reclaiming.

Once you are ready to start printing again, you don't have to worry about a long wait before re-taping your screens or changing colors. Chem 8100 dries in a matter of seconds meaning that you can get back to the funnest part of the job - printing!

Below is an outline of how to use Texsource Chem 8100 Press Wash:

Clean up excess ink from you screens using clean up cards. This is the best way to get as much ink off the screen as possible - and it saves you money! That ink can be placed right back into its original container for later use (recycling win).

It is easiest to use Chem 8100 in a spray bottle, but if you don't have a spray bottle you can apply the wash using a rag.

If you are using a spray bottle, simply spray the image area and use a shop rag or old shirt to wipe away the remaining ink.

If you are applying the wash by rag - agitate the ink with the wash rag and wipe away the dissolved ink.

An important thing to note about the rag you use is that you will need to continuously roll it to make sure you are picking up ink and not just smearing it around. Reapply Chem 8100 as needed and continue to follow up with a dry rag wiping both sides of the screen.

Your screen is ready for tape application and more printing within 10-15 seconds.
Posted by Mary Yaeger - 8/9/2017

What is reclaiming? It is the process of removing a stencil from a screen to use the screen for another job. A Screen can be used for approximately 20 print jobs before it needs to be re-meshed. 



For your reclaim job you will need:



After you clean the screen of ink with the ink wash or press wipe, use the blue scrub pad. Place it in your sink and rinse.

Spray emulsion remover to remove the emulsion, scrub with the red scrub pad on both sides of the frame.

Rinse the image off of the screen with cool water.

You may need to repeat this process to completely remove the stencil.


At times the mesh will be stained with ink or emulsion. Using a haze remover, you can eliminate those stains. You will need to pour the haze remover directly on the red scrub pad and scrub both sides of the screen. Lay the screen flat and wait 3 minutes. Scrub and rinse again with a pressure washer.
Posted by Mary Yaeger - 5/26/2017

Screen Printing History and How to Get Started

What in the world is screen printing? Simply, screen printing is the process of using a mesh-based stencil to apply ink onto a surface - shirts, posters, stickers, wood and a variety of other materials. The idea of screen printing arose from the concept of stenciling (and in truth that’s what screen printing is a form of). Screen printing can be traced back to the beginning of recorded history where methods can be found in China as early as 960 AD (during the Song Dynasty).

Screen printing originally started as just another art form. It wasn’t until during the 1960s that you can see screen printing being used for promotional items or propaganda. The 1960s was full of civil rights and social justice movements so there were plenty of opportunities to express yourself and your views. Sharing ideas that turn into movements requires people paying attention, and screen printing provided a method to create stunning graphics that caught viewer attentions.

It didn’t take long after screen printing being introduced to commercialism, before screen printing became a popular choice for artists - the most notable being Andy Warhol.



Today, we are seeing a revival in the screen printing industry as artists are creating new twists to the concept. There is also a call for the industry to become more environmentally friendly with their chemicals and inks. So if you are just starting out in the screen printing business there is a lot of room for creativity and growth and we are excited we get to share that with you!

While we could write a book on how to get started screen printing, we decided not to bore you with that much information in this blog post. Instead, we will discuss some tips and basics to get you started.

Step by Step




This is a general outline used by Texsource staff to explain the process to customers and in Texsource University Classes. If you want a more detailed look at the 16 steps and how to get started screen printing, join us for our Screen Printing 101 class in June!


  1. Get to know your client and what they are looking for in the design. Don’t forget to take down their contact information to keep in touch as well as their deposit. It’s important to take a deposit at the start of a project so you can order the materials needed for the print job.
  2. Place your material order.
  3. Create the artwork and layout for the job you are going to be printing. Some sample art programs you might use are CorelDraw or Adobe Software.
  4. Get the artwork approved by the client. This is a really important step! You may like what you have designed, but that does not necessarily mean that your design fits best with what the client is looking for. It is best practice to make sure that your client approves the artwork before moving forward.
  5. Complete your artwork separations and outputs. It is helpful, and creates a clean print, when your printed artwork is very opaque.
  6. Before you print, be sure to degrease and prep the screen that you will be using.
  7. Coat the screens and let it dry.
  8. Expose the coated screens. To help prevent pin-holes in your print, keep your exposure unit glass clean!
  9. Rinse out the image and set the screens out to dry. The trick to rinsing out the image is to wet the screens on both sides and allow the water to start to break down the unexposed emulsion.
  10. Tape and block out the screens.
  11. Set your screens and make sure that the artwork is lined up right. If you need additional help with alignment, use a t-square to create a good template to follow for your artwork.
  12. Print according to color sequence - light to dark! ALWAYS test before production.
  13. Inspect the garments to make sure there are not any unwanted spots. Don’t fear if you find some, there are products to help remove unwanted plastisol.
  14. When you are finished printing you can scoop the ink and put it back into the container for future usage.
  15. Now you are ready to reclaim your screen. You will start by removing the ink, then remove the emulsion, de-haze your screen, and finally degrease it. 
  16. Finally you have made it to step 16! This is where you get the products delivered to the client and receive your payment. Congratulations! 


Guide to the Right Mesh 

It is important that the mesh you select is right for the inks you will be using in your print. Mesh counts range from 40 to 305 and higher! We won’t discuss all of the mesh counts (you will get that in class), but here are a few of the most popular:

86 count mesh is used for printing a bold copy onto dark colored fabrics.
110 count mesh is considered the industry’s “do it all” mesh.
200 count mesh is used for printing onto light colored fabrics.
305 count mesh is used during four color process printing.

If you screen ever gets worn out or torn, Texsource can re-stretch your screens or we have products available for the DIY-er!

Mesh colors are another thing to consider. There is white mesh and gold (dyed) mesh. White mesh is used in lower mesh counts which are typically used for spot color work or large text. Gold mesh is used for counts higher than 200 resulting in a more defined edge and crisper print. The other thing that makes the two mesh colors different is the exposure time - the gold mesh will have a longer exposure time than a white mesh.


Other Things to Consider

Emulsions



There are 3 classifications of emulsions - Photopolymer, Dual Cure and Diazo. All of these can be used when printing with plastisol ink. Photopolymer emulsions are direct emulsions with ultra fast exposure times. Dual cure emulsion is resistant to both solvent and waterbased inks. Diazo is formulated to use with waterbased, solvent and plastisol inks which leads us into the next category - ink selection.


Inks







Ink selection is extremely important for your print job. Not all inks work on every material. Inks can also be particular about the mesh count. If the mesh count is too high or too low it could result in a poor print. I think that with as many colors of inks there are in the world there are just as many categories. That’s an exaggeration of course, but there are still quite a few you will encounter during your screen printing career. Some of the categories you will see are general purpose, low bleed, and super opaque. General purpose inks are generally used for for printing on 100% cotton. If you want to use a multi-purpose ink on another type of material, you will more than likely need to print an under lay.

Low bleed inks are best used for printing on 100% polyester materials or dye migrating garments like athletic apparel. Super opaque inks are high opacity inks designed for maximum coverage on dark colored garments.


After making a decision on those important factors the rest is up to you! Getting into the groove of printing, running your print shop, how you design the artwork - all of that is personal preference and that’s something we couldn’t give you a definitive guide on. The elements outlined in this post were to give you some basic knowledge and get you started. If you want any more details about the process, we highly recommend you attend our Screen Printing 101 class. The people who teach the class are highly knowledgeable, hands-on and excited about sharing this process with you.

Now, it’s time for you to get printing!
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